SATURDAY NIGHT
I Sony Pictures Canada I October 4 (Toronto) October 11 (Wide) I 109 mins. I
79%
* As of 10/3/24
Starring: Gabriel LaBelle, Rachel Sennott, Cory Michael Smith, Ella Hunt,
Dylan O'Brien, Lamorne Morris, Willem Dafoe, Matthew Rhys, J.K. Simmons
Directed By: Jason Reitman
At 11:30pm on October 11, 1975, a ferocious troupe of young comedians and writers changed television – and culture – forever.
Saturday Night is based on the true story of what happened behind the scenes in the 90 minutes leading up to the first broadcast of Saturday Night Live. Full of humor, chaos, and the magic of a revolution that almost wasn’t, we count down the minutes in real time until we hear those famous words…
REVIEW BY: Kurt Morrison - 10/03/24
RATING 4 out of 5
Few things have transcended to a level of Pop Culture Pantheon so much so that they are universally known and beloved. Television especially because it seems like there is a shelf life for sitcoms and dramas. But, in my personal opinion, the one that has become the pinnacle of that is Saturday Night Live. It has become a cultural staple of one night a week. Much like how Football rules our television screens all day Sunday, SNL has become the one consistent on network television on one night of the week for half a century.
It is something that everyone has seen at least a couple times in their life, continuing to churn out Hollywood’s biggest stars for nearly 6 decades now. The greats of comedy have found their footing there at Studio 8H - Chase, Aykroyd, Radnor, Murray, Murphy, Myers, Sandler, Rock, Ferrell, Fey, Poehler, Wiig - it’s a list I could go on and on about. Yet there has been this incredibly shrouded allure to it all - the pains and the process, the ups and downs. Which begs the question, how did this juggernaut of late night get its start? Director Jason Reitman (Up in The Air) teams with pal and fellow/writer-director Gil Kenan (Ghostbusters: Afterlife) to bring us this frenetic and funny insight into the makings of night one of Saturday Night, that at times almost seems too crazy to believe actually happened.
Running a lean and mean 108 minutes, the movie's pacing is its golden ticket - taking us along for the ride, almost like a fly on the wall, for what is 90 minutes prior to showtime for the first ever episode of the series. We meet Lorne Micheals, played by Canada’s own Gabriel LaBelle, anxiously trying to prep his cast and crew for an evening that will either make or break their careers. He’s confident yet just a little cocky. Likable yet almost arrogant. You feel the anxiety coursing through his veins and it’s clear that nothing is going to plan as the minutes tick by. And thanks to this frantic yet courageous demeanor, we root for Michaels’ and his cast almost from the first frame. It’s hard not to like him, because he wants to challenge the cultural and comedic landscape of the time - a step that, over time, proved to obviously be the right one.
Surrounding LaBelle is a slam dunk cast, featuring Rachel Sennot as his ex-wife Rosie Shuster, while Lamorne Morris, Cory Michael Smith, Ella Hunt, Emily Fairn, Matt Wood, Kim Matula and Dylan O’Brien play the OG 7 cast members to a tee. Each and every one of them embodies the mannerisms of those beloved cast members and is given a bit of time to shine on screen, allowing us to get to know them in some way shape or form - Cory Michael Smith and Dylan O’Brien being my personal favourites as Chevy Chase and Canadian Dan Aykroyd. I would say they get the most screen time of the cast and in the grand scheme of the story being told, it is understandable as they became the two most successful of that generation of SNL.
Reitman’s direction and script along with Eric Steelberg’s cinematography are really well crafted, because it isn’t necessarily focused on the conception of the show, but the adrenaline rush of what is happening prior to launch. The camera work is hard, fast, sharp which compliments the mile-a-minute script that hops from one cast member to another, and one night shattering mishap to another. It doesn’t seem real as you’re watching it, that this many things could go wrong in the span of 90 minutes. Is it fabricated? Sure, probably a little BUT that doesn’t take away from its entertainment value.
It never slows down, from LaBelle’s Lorne Michaels bouncing from room to room, anxiously schmoozing NBC Execs, to Smith’s Chevy Chase damn near fighting stars of Hollywood old as testosterone and tensions flare.
Ultimately what Reitman succeeds at with Saturday Night is capturing the self mythology of what makes Saturday Night Live special - it is a team effort. It builds up the camaraderie amongst the cast and crew as the show gets closer and closer, and the payoff really hits in the last 10 minutes, which had everyone in my theatre laughing and smiling ear to ear. There is a sweetness to it all even though it's cocaine fueled and vulgar as hell for the entirety of its runtime. Reitman and Kenan build it and you want to root for them as their hopes and dreams hang on a thread.
SATURDAY NIGHT has an opportunity to become a real crowd pleasing hit this fall, and with good word of mouth, it surely will. I don’t care that we don’t get to spend much time getting to know the actors and comedians or the creative process. I can live without that - this isn’t a mini series. This is a love letter to an evening that took place 50 years ago and changed the world of entertainment as we know it. Mission Accomplished.